Laurent Petit

Transmettre l’oubli

5 September – 5 November 2020

Opening on Saturday  5 September 2020 from 4 pm, in the presence of the artist

Laurent Petit - céramique contemporaine - sculpture céramique - art céramique - galerie de céramiques

Laurent Petit Vestige n°10 – 2019 – 21,5 x 79 x 33,5 cm. Photo Pascal Vangysel

Coinciding with the display of his works at La Piscine Museum, Laurent Petit’s second solo show at the gallery reveals some fifteen recent sculptures. The ceramic artist reconnects to a somewhat narrative mode through a reappropriation of myths and battles specific to Mediterranean culture.

Laurent Petit was born in 1962 in Bourges (Cher – France). A graduate from École Nationale Supérieure des Arts Décoratifs in Paris and Maison de la Céramique in Mulhouse, he has been using ceramics as his form of expression since 1996. He was featured in 2019 among the finalists of the 25th edition of the International Biennale of Contemporary Ceramics in Vallauris.

Laurent Petit - La Piscine Roubaix - sculpture céramique - céramique contemporaine - exposition céramique - musée de Roubaix

Laurent Petit, from left to right, « La détresse d’Achille », 2018, « La superbe d’Achille », 2018, & « Mémoire labyrinthique », 2019, exhibited at La Piscine museum in Roubaix. Photo Anthony Girardi.

Laurent Petit has said before that the work he creates is both pictorial and sculptural. The high importance he imparts to white may evoke the very open projection space of the viewer facing a painting. According to the artist, “It also confers a different, stronger value, to what comes to challenge white, namely the concretions of matter and next, the traces of colour. Everything I lay as an addition to white transcends it and allows me to seek an enigmatic minerality.” He recalls that white imposed itself from the start, under the influence of sculptor Gordon Baldwin as well as painter Joan Mitchell and, obviously, Cy Twombly. “I think white allows me to carry a form of neutrality and calmness as a counterpoint to very colourful areas, especially when I think back to my first ceramics which had more matter, more grain. Cy Twombly once declared that the white areas of his paintings could be considered as neo-romantic areas of remembrance. This definition suits me perfectly, since I consider my sculptures as commemorative spaces on which I spread out traces.”

Marie Maertens
Art critic & curator.
Extract from the exhibition catalogue.

Élégances du chaos