Agathe Larpent

Deep colors

4 mai – 6 juin 2013

Whether working in stoneware or porcelain, Agathe Larpent inhabits the space of a singular ceramic expression. To speak of a plastic approach is not an empty word here: clay is metamorphosed, materials and colors blended with the sole aim of appealing to the senses.
Les œuvres présentées – creusets et bas-reliefs – spécialement créées pour cette exposition personnelle  à la Galerie de l’Ancienne Poste, s’inscrivent dans la continuité  de l’installation conçue à l’été 2012 au Prieuré de Salagon (Alpes de Haute-Provence). Artiste reconnue depuis plus de trente ans,  Agathe Larpent est présente dans les collections des plus grands musées et au Fonds  National d’Art Contemporain.

In Agathe Larpent's hands, earth is color. We temporarily leave foamy whites and celadons for the strong, complementary colors of reds and greens. Powerful, dark, unique and the fruit of a curious alchemy, Creusets and Reliefs, in stoneware and porcelain, catch the light, speak of the deep and the sky.
The Acanthus Reliefs echo medieval gardens and the ethno-botanical garden at Salagon Abbey. Moulded alive, the flower curls up to form a pattern linking plant and mineral.
Agathe's first Creusets date back to 2000 and her exhibition at the Musée Ziem in Martigues. Their material is thick, split and laminated, on the verge of breaking. They probe minerality and form a symbolic link between the timeless and the constructed. They are the rocks, hollowed out by time, that collect rainwater and reflect the sky. The lustrous water where the hair of green ondines moves to the upper lips of the shadowy conch (Julien Gracq). They are the heart, the cloister and the fountain, of the Romanesque monasteries that were his recent exhibition venues (Boscodon in 2011 and Salagon in 2012). Water and light give these earthen stones a spiritual landscape, green and mossy for some, sanguine and deeply human for others.
Stéphanie Le Follic-Hadida
Doctor of Art History
Exhibition curatoron.