Nadia Pasquer

After studying fine art and teaching drawing in Paris, Nadia Pasquer (b. 1940) turned to ceramics in 1974, initially creating stoneware sculptures inspired by nature. From 1990 onwards, her work and preoccupations shifted towards smoky terracotta and abstract forms, whose mastery and specificity made her famous.
Nadia Pasquer's work has been exhibited in the major contemporary art centres such as New York, Miami and Basel, and is now internationally recognized.
"I'm in the business of declining a geometry that satisfies me intellectually, in the conception of volumes and their meaning, and sensually in the intuitive construction of these forms, which have a permanence and universality that can be found in the infinitely small (molecules, constitution of matter, crystallography) as well as in the infinitely large (representation of astronomical systems)."
Nadia Pasquer, December 2011, in La Revue de la Céramique et du Verre.
"Nadia Pasquer's work occupies a unique place on the contemporary ceramics scene. Absolutely perfect, with an incomparable emotional touch, her polyhedra evoke celestial bodies and constellations, and are born on the edge of different territories, as much physical and sensory as mental, questioning the tension between near and far. These hand-sized objects (and this is no coincidence) are indeed about intimacy and space, geometry and sensuality, singularity and universality. The great strength of these pieces, their obviousness, lies in the fact that the oldest and simplest techniques - modelling and polishing clay, the most ceramic too - preside over the evocation of poetic forms which, beyond the realm of ceramics, resonate in our collective imagination. We may even find echoes of other figures, such as origami, whose spiritual dimension is generally overlooked. Neither functional nor decorative, these "space stones" are rather objects of meditation, like meteorites that have crossed the centuries that separate us from Luca Paccioli and his Divine Proportion figures or Albrecht Dürer and the polyhedron of his Melencholia. They questioned the links between art and science and the mystery of the universe."
Carole Andréani, journalist and art critic, July 2013.
Public and private collections
- Sèvres - Cité de la Céramique
- Brest Museum of Fine Arts
- Châteauroux Fine Arts Museum
- Sarreguemines Museum
- Musée Déchelette, Roanne
- Bernard Palissy Museum
- Museum of St Amand les Eaux
- Romorantin Library
- French Cultural Center in Brussels
- Cargeillo Foundation, Portugal
- Ichon World Ceramic Center Kyonggi, Korea
Solo exhibitions at the gallery
Nadia Pasquer
Nadia Pasquer
Nadia Pasquer - Nathalie Pierlot
Press
Works
Main recent exhibitions
2023
"GéométrieS" (with Claude Pasquer), Palais Jacques Cœur, Bourges, Cher
Galerie de l'Ancienne Poste (with Nathalie Pierlot), Toucy
2022
"Derrière l'horizon", Galerie St-Hilaire, Fribourg, Switzerland
2021
"Inhabiting the Big Dipper", Château d'Eau de Bourges, Cher
2019
" The colors of the night, the color of the ciel", Galerie de l'Ancienne Poste, Toucy
2016
"Secret Geometries", Galerie St-Hilaire, Fribourg, Switzerland
"Diamonds", Galerie NeC Paris
2014
"Constellations", Pierre-Marie Giraud Gallery, Brussels
2013
" Galaxy "Galerie de l'Ancienne Poste, Toucy
2012
"Géométrie céleste", Empreintes gallery, Aydat, Puy-de-Dôme
2011
"Starry polyhedra", NeC gallery, Paris
2010
"Celestial geometry", Arc en Seine gallery, New York (USA)
2008
Atelier du Soleil, installation "Polyèdres, mélancolie" with Claude Pasquer, painting, Fraisse des Corbières
2006
François Dudouit Gallery, Honfleur
2005
Galerie Art-tension "Géométrie céleste", Bourges, Cher
2004
Galerie Mouvements Modernes "Orbites", Paris












