Bente Hansen
Geometry lessons
March 24 - May 3, 2018
Bente Hansen - Untitled, 2016
Bente Hansen was born in Copenhagen, Denmark, in 1943. She trained at the Copenhagen School of Art and Design, where she was a pupil of Richard Kjærgaard, who inspired a whole generation of talented ceramists such as Bodil Manz, Ursula Munch-Petersen and Alev Siesbye.
After several years at the helm of one of the world's most renowned ceramics departments, Bente Hansen became one of the leading lights of Danish ceramics and a teacher. Often referred to as a kaleidoscope of Bauhaus forms or a reference to Malevich and the Russian avant-garde, Bente Hansen's work is a profound reflection on geometry and color. On stoneware-turned and glazed forms, the artist applies colors by transfer in numerous layers, each layer requiring a new firing.
While Bente Hansen's shapes remain simple, the application of color tends to create a subtle balance between form and expression.
With a focus on gold, silver and copper, the decorations in the works on display bear witness to an elaborate construction where the effects of transparency open up a depth that allows us to reconstitute the "life" of the work.
Exhibition catalogue
Bente Hansen in Connaissance des Arts
Most Scandinavian ceramic artists work with partially or entirely glazed stoneware, coloured or not. Bente Hansen, who was born in Copenhagen in 1943, is no exception to that rule, although she adds her own techniques and vocabulary of forms: on the one hand, a play of curves and reverse curves with unrestrained organic creatures; on the other hand, pure oval cylinders and geometric solids that are rigorously technical. The Danish ceramic artist confides: “I am wondering […] how my formal universe keeps repeating itself in ever-new mutations. Might they be new answers to old questions? […] In my works I wish to surprise, toseduce. However, first of all I wish to liberate my visions of form and colours and the indelicacies of the imagination. As with poems of Jens August Schade (Danish poet, 1920 -1978) on the seductiveness of art, we let ourselves be seduced – by the beauty of the erotic – by the electrifying touch.”.
Myriam Boutoulle
Journalist, art critic
Bente Hansen - Untitled, 2016
Bente Hansen - Untitled, 2016
Bente Hansen - Untitled, 2016
Bente Hansen - Untitled, 2016
Bente Hansen - Untitled, 2016
Bente Hansen - Untitled, 2016
Bente Hansen - Untitled, 2016
Bente Hansen - Untitled, 2016



